It should come as no surprise that I’ve thoroughly enjoyed everything put out by this group over the past year. Kicked off with Dakishimete Dakishimete, followed by the consecutive double A-sides, they have been some of my favorites. While still lacking some of the rockin’ sound of Buono!, the cool choreography of C-ute and the maturity of Morning Musume, Berryz Koubou never fails to come out on top.
 Berryz Koubou 2010 |
Berryz Koubou2010 Ranking |
It’s that time of the year again. Rankin’ Time! Let’s jump right into it and get started with Morning Musume, shall we.
While I didn’t make it out to AX to see them last year, I was able to see them perform in Japan at the summer concert back in July. As I’ve heard a few other people say, and I agree, seeing them up close really does change your perception of the girls a bit. I’ve still not taken too much time to get to know the group really, but I guess I know them well enough that things have shuffled around a little. With Koharu’s departure my interest as a whole has dropped some. That said, current Musume has mostly just been about the music to me anyway, so that’s not indicative of much of a change.
 Morning Musume. 2010 |
Morning Musume.2010 Ranking |
“http://solo-kun.com/2009/12/its-okay-im-a-wota/”
From It’s Okay, I’m a Wota, posted by Geoffrey Williams on 3/22/2009 (167 items)
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I went to the Hello! Project summer concert in Nagoya yesterday, and let me say, I had a blast. My first H!P concerts, I saw both the 3:00 and the 6:30 shows and really enjoyed them. Before the first show, I just hung around outside, observing what people were selling and trading. Was going to get in line for some goods, but decided to wait until I got inside. And once inside, I bought a bit more than I probably should have, but hey, why not.
In wota fashion, I was wearing orange shorts and had an assortment of orange glow sticks to support my dear Chinami. Not much, but gotta represent.
In the concert hall itself, at 3:00 my seat was all the way in the back. I thought this was going to be a problem, but even from there the view was great. With that said, at the 6:30 show, my seat was much closer and so I enjoyed it all the more. You’d be pretty hard pressed to get me excited about almost anything, but sit me down in front of a group of young laughing, dancing, singing Japanese girls and well, on my own, I’ll go crazy. And as wrong as that may sound, it is what it is, lol.
An interestingly mixed selection of H!P songs started the concert before the girls hit the stage. With the lights being put through their paces, the mix got you pumped for what was to come.
The opening song was my favorite from Morning Musume’s Platinum 9 DISC, Guru Guru JUMP, performed by the whole gang. When all of H!P is saying JUMP, how can one resist; much jumping did ensue. And with that done, sans S/milage, next up was Berryz Koubou’s Piriri to Yukou!. An oldie, but a goodie, and fun to dance to.
S/mileage was first after the Intro/MC with aMa no Jaku followed by Omakase Guardian by Guardians 4. These ones were a little bit harder to dance to, but still fun.
Minimoni Jankenpyon! Fun song and fun to dance to. I’ve not listened to a lot of minimoni but with this revamp, I’m really liking it. Jankenpyon is one I’ve heard before, but not really payed much attention to. Props to LinLin, and their outfits were pretty cool too.
On the first performance of Mano’s Sekai Wa Summer Party, I think Erina, messed up a little bit, but was alright on the second go round. There are a few points in the instrumental to this song that sounded a bit off, or maybe too strong. Anyway, with S/mileage dancing in the background, this was another that I could get into.
C-ute’s Shochuu Omimai Moshiagemasu, I wasn’t too much a fan of the song, nor the PV… but the live performance was great.
Seishun Bus Guide has a pretty cool dance, and so I feel pretty cool dancing along to Berryz Kobo’s latest single.
Nanchatte Renai and Shouganai Yume Oibito by Morning Musume; good stuff. With MM on the stage, I think I watched Koharu the most, she’s just fun and… I don’t know. One thing I did catch myself doing whenever Reina was on the big screen was checking out her eyes, they’re so captivating, or maybe amusing is a better word, haha. I don’t know, I like how they’re offset and crosseyed or whatever. Ehh…, LOL. I’m going to have to redo my MM rankings.
Aa! and Pucchimoni V’s new songs were great. In Aa!’s case, I’m definitely liking the sound after being disappointed by the on the Champloo album. In Pucchimoni V, Erina, I don’t know… I think she messes up again.
Moving on to Reina’s solo, she did a excellent job. She was followed Tanpopo#. Yurina seemed like she kinda didn’t fit with the sound of this group, dunno. My Boy was awesome, as is to be expected of Buono!. And then we get some more jumping with C-ute’s JUMP preformed by all.
Ai’s solo… I like the song, but… yawn? I would have liked to see LinLin do her thing, but whatever. Maybe the placement after JUMP and a MC made it seem dull. Again, I like the song and she has a great voice, it just didn’t fit.
v-u-den… Risako, Sayumi and JunJun carry out mic stands as they come onto the stage. There’s just something about their stage presence in this song that is so, bad… in a good way. Risako in her opening solo is really owning the mic and is very into it. Then when the additional instrumental comes in, you cannot help but be pumped. Later on you have JunJun on the ground doing some wicked air guitar, rushing back to the other side of the stage and jamming some more. This was my favorite song on the Champloo album and seeing it live is so much better. The first performance of the song, I could really tell that the crowd loved it, they were really into it.
ZYX-α and High-King do their thing, and then High-King comes on with Cinderella\Complex. That was a bit unexpected, but very much welcome. The dance is one you can really get into.
In the MC here, I just want to point out that Koharu is really fun to watch. Even if I have no idea what she’s saying, she is really playful in a very amusing way.
Special Generation plays and the crowd is really into it. Another Berryz oldie but a goodie. At the end here, Maimi steps out between the Berryz, decked out in white, saying her opening lines from Tokaikko Junjou. The contrast looks cool and is a great transition.
Resonant Blue finishes up the group songs and this one was again, really fun to dance to.
Ending things is Sono Bamen de Bibiccha Ikenai jan!, Koko ni Iruzee and after a quick MC, Aozora ga Itsumademo Tsuzuku Youna Mirai de Are! Tho I wasn’t familiar with the last song, it was a good end to an awesome concert.
So yeah, I definitely enjoyed doing the whole wota thing. Chants, claps, jumping, dancing, singing, the whole nine yards. Will really have to look into making this happen more often.
Welcome to Wota Wonderings! We are a group of english-speaking Japanese music bloggers brought together once a month to answer questions posed by johpan. We strive to be creative and entertaining, and we may even shed a bit of new light on interesting musical and cultural topics. Any questions about how we work should be directed to johpan. Don’t forget to check out the other posts from this month at the bottom of this post. Enjoy!
If you were someone in the Japanese music industry who could influence a change, what would your New Year’s resolution be?
So over winter break I was having a good long chat with my buddy JMI. Jamie, as she likes to be called, is a big time player in the Japanese music industry, heck you could even say that she is the Japanese music industry, from a female pop vocalist’s perspective anyway. In any case, I rarely get to talk to her anymore since she’s becoming so popular over in Japan and around the world really, so I was glad that were able to both find a little down time to reflect on the past and coming years.
At one point in our reminiscing, Jamie and I switched gears and began rattling off a list of resolutions that we’d like to stick to for the coming year. You know, loose a little weight, kicking off an image change, looking to the future and blah blah blah. We had been batting around quite a few ideas but one of hers really stuck out for me. Jamie was somewhat disappointed with some of her performances over the last year or so. Specifically, she has been releasing a lot of cover songs lately and felt that she was lacking in originality, she wasn’t singing her own voice so to speak.
On that point, I countered by admitting that covers can be fun, but in the end realized that I too was ready to move on. While we must always remember where we started, we must also push forward with great innovation. If I were in Jamie’s shoes, I’d probably have the same feeling. I mean, the list of covers wasn’t too grandiose, but a lot of other Japanese artists had released cover songs too.
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