Tag Archives: CHERRY LYDER

30k+ iTunes Survey

It’s been a while since I did one of these, about a year actually. I generally listen to at least a few songs every day, driving to school or waiting between classes and what have you, tho some days are more packed than others, like when I’m working from home and such. About 10,000 songs in a year, average 28 songs per day, that’s alright.

Some new artists include Leona Lewis, PUFFY, BAReeeeeeeeeeN, Mr.Children, 4minute… I haven’t been keeping up with a lot of artists or seeking out anything too new as of late, but I hope to get back into exploring some more in the future.


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Photos


“http://solo-kun.com/2009/12/its-okay-im-a-wota/”

From It’s Okay, I’m a Wota, posted by Geoffrey Williams on 3/22/2009 (167 items)

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It’s Okay, I’m a Wota

It was a little over two years ago, October 2007, that I really started getting into Japanese music. Interestingly at the time, I recall while riding home from a conference in Chicago, making mention that I don’t really listen to music. For the most part, I had never put any effort into it. I mean, I liked music in general, a variety of genres, but never went out of my way to listen to any of it. In those two years however, I’d say it’s become a big part of my life; and even then, perhaps that’s a bit of an understatement, hmm.

It started with me downloading music videos from YouTube. I can’t pinpoint what it is that got me seeking out these videos in the first place. It might have been the anime I had been watching through the summer which had just ended, Tengan Toppa Gurren Laggan. Nakagawa Shouko did the opening, and it’s one of the first songs I grabbed. I’ve mentioned on my site before that I stumbled upon some catchy J-Pop in 2002, but at the time it didn’t stick. This time around however, it really stuck. Berryz Koubou in particular, stuck pretty hard.

I began seeking out blogs that discuss this type of music, which lead me to a couple that focused mostly on Japanese music, but also other topics that pertain to the idol fandom; from there, exploring their blogrolls, I found a great many more to keep my interest. It was fun reading about others’ opinions and experiences with the music, the idols. It motivated me to seek out more and more blogs and artists. It was all new to me and I was glad that there were a lot of resources out there for me to look to.

In early December of 2007 I started buying a bunch of tracks off of iTunes Japan. Angela Aki, Amuro Namie, Berryz Koubou, CHERRY LYDER, Nakagawa Shouko and Tokyo Jihen were some of my first purchases. I enjoyed burning CDs and shuffling them in my car. Simple stuff right, but I really hadn’t done anything like that before. Listening to music was never my thing, but I was having fun with this. In February of 2008 I decided to create my own blog related to Japanese music. While I haven’t been the most interesting, frequent or lengthy writer, I’ve enjoyed doing it.

I continued to build my music library, adding Abe Natsumi, Buono!, Canary Club, C-ute, Goto Maki, Matsuura Aya, Morning Musume, Ongaku Gatas, Shiina Ringo, THE Possible, and more. Tho it wasn’t until Berryz Koubou’s first single last year that I actually bought my first CD. Dschinghis Khan wowed me. Well, Chinami was a big part of that. The video was so fun, the song was catchy, and I just loved it. By this time I was already fascinated with this idol pop genre. Watching concerts, their little variety shows and the like, above and beyond the music, there was so much fun and cuteness to keep me entertained.

Random Chinami Stuff

Random Chinami Stuff

More purchases would follow, including my first bunch of photosets. It was kind of weird buying Berryz Koubou and C-ute’s photos. I mean, what was the point of collecting these photos, I wasn’t sure what I was going to do with them exactly. When I go them however, I was so happy to just have and look at them. I can’t explain it really. There were never any celebrities or the like that I had any sort of vested interest in before, but these girls grabbed my undivided attention. The photos made me feel connected in some sense. I used to not get the obsession and exuberant interest that other people saw in “celebrities,” but now, I had fallen into it.

Random Berryz Stuff

Random Berryz Stuff

Over the next year and some, my musical interest would continue to grow to other Japanese artists and to this day it is ever expanding. I’d buy a lot more songs and a lot more photos, some photobooks, posters, a bunch of stuff, the music, the culture had become a big part of my daily life. I’ve participated in forums and chat rooms, and have contributed to other blogs in an attempt to help spread the J-Music goodness to the masses. In addition, I’ve started learning Japanese in college and am looking to pursue the language and culture so much more. During my brief time in school thus far, I’ve actually had the opportunity to write a few successful essays and do a couple lengthy presentations on the subject of being a wota. It’s great being able to share not only with those who do know a bit about what it means to be a wota, but also with those who have no idea of the subculture.

This past summer I went to Japan for the first time. I hadn’t planned on doing anything as it pertains to music, but it turned out that there would be something going on at the same time I was there. Champloo was definitely the most fun experience I had ever had at the time.

Berryz Tattoo (Drawing by Chinami :P)

Berryz Tattoo (Drawing by Chinami :P)

When I got back from Japan, I decided to get a tattoo. Well, I had been thinking about it for a while, but with the recent experience, I decided to go through with it. So, I had “Berryz” tattooed on my chest along with a design that Chinami had drawn in the past. It was strategically placed, over my heart. Cheesy, maybe, but it’s a representation of the love I have for Japanese culture, Japanese music and more specifically, Berryz Koubou and how much it all has literally changed my life. It’s hard to express how much it all means to me, try as I might, but even then I feel that words really cannot convey how much I love this stuff.

More recently, towards the end of November, I went to Japan for a few days. For what? Well to see Berryz in concert of course. Or really, it’s because Chinami got a solo, and I wanted to be there to see it. Medachitai!! Another great concert experience. Honestly, the best experience of my life. Sitting front and center, to wave and smile and to have the girls wave and smile back at me, epic.

I Want To Stand Out

Now why am I sharing all of this exactly. Is it to show how much of a fan I am? Am I trying to stand out above the crowd? Am I trying to be different (just like everybody else)?

Well, not really. It’s just me sharing my experiences, sharing something that I love with everyone. As I started into the J-Music scene, I enjoyed reading about others experiences, their journeys into wotadom, their praise and criticisms of something they too felt passionate about. Maybe someone will get the same out of my writing. But even if that is not the case, I’m doing it because it’s fun, because I enjoy talking about it. Sure, there is a little bit of me that wants to stand out, but that’s not even remotely the core of why I do it I don’t think, or why it all interests me in the first place.

Really, It’s Okay

((I have to keep telling myself that it seems, lol)). So the thousands of dollars I’ve spent on all of this stuff over the past few years might seem a bit obsessive. I’d say that yes, it is an obsession to some extent. While my interest doesn’t lie exclusivity with the bubbly pop of 13-18 year old Japanese girls, I realize that some might find the interest in general as being a little weird; but I love being a wota. It’s a big part of who I am now, I love just being able to be myself. I’m glad to have found something to be passionate about, no matter how out of the ordinary it may be.

Now, with all that said, I’m aware that I didn’t exactly define what a “Wota” is. I think tho, that I’ll let the post speak for itself. I’ll let others make up their minds on what it means, to me anyway, based on the context of my experiences.

A J-Music Survey: Redux

It’s been almost a year since misa put up the questions asking the community about our J-Music tastes. Now, she’s asking again. While some of my responses have stayed the same, I figured they’ve changed enough to give it a go again.

1. What was the first Japanese song that you ever listened to?
Back in 2002, Momoiro Kataomoi by Mattsura Aya.

Momoiro Kataomoi

Momoiro Kataomoi

2. Did it inspire you to like that group/singer, or did it turn you away?
I wasn’t really into any type of music at the time. I was probably looking for cute Japanese stuff or something (-_-);, and happened to stumble upon the adorable and bubbly video.  While I wasn’t inspired, it didn’t turn me away either. Years after the initial find, I rediscovered H!P and was greatly surprised to find Aya had sung the song. I remembered the catchy tune immediatly and I’d say that Aya has been a favorite of mine for a while, partly because of that.

Gag 100kaibun Aishite Kudasai

Gag 100kaibun Aishite Kudasai

3. What is the one song that you have been listening to for the longest time?
Gag 100kaibun Aishite Kudasai gets credit for this one. I think I’ve mentioned this a quite a few times in various ways, but the opening melody grabbed me and I was hooked. Chinami killed me with her cuteness and the whole thing was an eye opening experience of sorts.

4. What group/singer have you liked the longest?
I guess there’s a bit of a tie between Tokyo Jihen, CHERRY LYDER, Berryz Koubou, Nakagawa Shouko, Angela Aki… but again, I’ll give this one to Berryz. They’ve been there since my intro into J-Pop.

Killer Tune

Killer Tune

5. What is the song with the most plays on your itunes/media player?
Killer Tune by Tokyo Jihen at 252 plays has a pretty good lead over CHERRY LYDER’s NAMUKIN Girl and Omae wa Ushi ka!? which sit at 234 each.

6. Is that song your favorite?
It’s definently in my top picks, but I wouldn’t call it my favorite.

Rottara Rottara

Rottara Rottara

7. If not, what is?
If I had to pick just one, I’d go with Rottara Rottara by Buono!. Buono! is awesome, the song is awesome, the awesome is awesome, awesome Buono! is awesome… sorry. There are a couple more that I’d say are favs (One’s LIFE by °C-ute, Kirin no Kubi Yori Nagaku Naru by CHERRY LYDER, Gunjou Biyori by Tokyo Jihen, Minna no Ki by Tomoiki Ki o Uetai) and then even more that I’d rate very highly.

8. Is there any one group that you can listen to all/most of the songs by? If so, who?

Kirin no Kubi Yori Nagaku Naru

Kirin no Kubi Yori Nagaku Naru

CHERRY LYDER has a discography of 11 unique tracks, and I enjoy them all. She’s fun pop rocky, and can slow it down too. Then there’s Buono!, and well, they’re awesome. There are some songs that I like more than others but overall their stuff is tops.

9. What is your favorite agency?
Still don’t know, or care(?) about agencies all that much. Still, I’ll go with Up-Front Works cause they contain both Berryz Koubou and Buono!.

10. What is your favorite group/singer?
Berryz Koubou of course. So much to love. The girls are fun and the music is great.

20,000 and an iTunes Survey

Well, it’s been 4 months and 5,000 plays since I did my last iTunes Survey and my music library has grown quite significantly since then. I’ve picked up a lot of new artists from the wotasphere, iTunes and last.fm recommendations. 9mm Parabellum Bullet, Base Ball Bear, Ikimono Gakari, Rei Okamoto, SCHADARAPARR, Tomoiki Ki o Uetai,  and W just to name a few. Even with that doubling of the size of my music library, I still feel, and I know that there is so much more out there that I have yet to discover. Survey starto!
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Poddokyasuto 1

Trying something new with a podcast. Might not do any others, but it serves as an interesting(?) introduction in any case. Also included is a quick response to Amy’s post about Berryz Koubou over on Merry Go Round.

Meh… I’ve got some complaints, but I’m not one to complain, nor am I a perfectionist… enjoy.

  1. Berryz Koubou – Gag 100kaibun Aishite Kudasai (Instrumental)
  2. Nakagawa Shouko – Magic Time – Ivy
  3. Yum!Yum!ORANGE – ORANGE ROCK FES 33 – Shangri-La
  4. GO!GO!7188 – Kataomoi Fighter
  5. CHERRY LYDER – Kirin no Kubi Yori Nagaku Naru

Recorded with a Logitech Quickcam Orbit AF and edited with Adobe Soundbooth CS4, er for anyone who’s curious…

15,000 and an iTunes Survey

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Cutie Party: A J-Music Survey

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New Music Review: Kirin no Kubi Yori Nagaku Naru (Cherry Lyder)

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Cherry’s Back; and She’s Brought a Giraffe

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