Da H!P Bestest of 2009

Might as well make this an annual thing.

Seishun Bus Guide/Rival

Seishun Bus Guide/Rival

Best Group Single:

Berryz Koubou – Seishun Bus Guide / Rival

Bus Guide got the energy and pop. Rival was a pretty simple song, yet unique and really enjoyable to listen to. The combo of the two make this one the best for me.

Best Soloist Single: Matsuura Aya – Chocolate Damashii

Best Group Album: Buono! – Buono! 2

Best Soloist Album: Mano Erina – FRIENDS

Mano, Koha and Aya were the only choices right? Koharu had a best of, so I didn’t count that one. Aya was decent, but nothing really stood out to me. So, Mano gets it.

MY BOY

Best PV: Buono! – MY BOY

Spies infiltrating the building in search of… cake! This one was pretty creative and I really liked it.

Group With Best Overall Releases: Berryz Koubou

Only three releases, but two were double A sides and they were all good.

Best New Group: Zoku v-u-den

When the members of the group were revealed, I was optimistic, even tho I’m not too fond of Risako or Sayumi’s voices. Listening to the Champloo album, this one was my favorite. Seeing them live, it was the best performance of the show. The group worked and I like it and am looking forward to seeing more from them.

Best New Soloist: LinLin

I don’t think there were any this year. Perhaps I can give it to LinLin. Even tho she isn’t a soloist, she caught my attention a bit with her solo on the Champloo album.

Best Established Group: Berryz Koubou

Bias~. Buono! slipped a little bit with Take it Easy! and the other groups didn’t wow me as much. Berryz continues to consistently make me happy.

Best Established Soloist: Kusumi Koharu

Ganbatte.

Chinami

Chinami

Best Photobook:

Tokunaga Chinami – Chinami

Yea Chinami, congrats on your first photobook! Maasa too! There were a bunch of good ones this year, but just one page including Chinami’s smile beats them all, hands down.

Hottest Idol of 2009:

Tokunaga Chinami

She’s not really like “hot,” but anyway. I don’t think I need to explain this one.

Worst Group Single: C-ute – Shochuu Omimai Moushiagemasu

I didn’t like it much at first, but I slowly warmed up to it after seeing it live. Of all the groups tho, I’d still put this one on the bottom.

Worst Soloist Single: Yuki Maeda – Kenchana ~Daijōbu~

Worst PV: MM Gakuen Gasshoubu – Mecha Mote I LOVE YOU

For their debut, this was crap. Anime playback with bits of Ogawa Mana thrown in doing some random stuff.

Worst Vocalist of 2009: Michishige Sayumi

Yowamushi wasn’t bad, but it wasn’t the best either. I don’t really mind her voice.

Least Attractive Girl of 2009: Okada Robin Shoko

There’s just something… I don’t know.

It’s Okay, I’m a Wota

It was a little over two years ago, October 2007, that I really started getting into Japanese music. Interestingly at the time, I recall while riding home from a conference in Chicago, making mention that I don’t really listen to music. For the most part, I had never put any effort into it. I mean, I liked music in general, a variety of genres, but never went out of my way to listen to any of it. In those two years however, I’d say it’s become a big part of my life; and even then, perhaps that’s a bit of an understatement, hmm.

It started with me downloading music videos from YouTube. I can’t pinpoint what it is that got me seeking out these videos in the first place. It might have been the anime I had been watching through the summer which had just ended, Tengan Toppa Gurren Laggan. Nakagawa Shouko did the opening, and it’s one of the first songs I grabbed. I’ve mentioned on my site before that I stumbled upon some catchy J-Pop in 2002, but at the time it didn’t stick. This time around however, it really stuck. Berryz Koubou in particular, stuck pretty hard.

I began seeking out blogs that discuss this type of music, which lead me to a couple that focused mostly on Japanese music, but also other topics that pertain to the idol fandom; from there, exploring their blogrolls, I found a great many more to keep my interest. It was fun reading about others’ opinions and experiences with the music, the idols. It motivated me to seek out more and more blogs and artists. It was all new to me and I was glad that there were a lot of resources out there for me to look to.

In early December of 2007 I started buying a bunch of tracks off of iTunes Japan. Angela Aki, Amuro Namie, Berryz Koubou, CHERRY LYDER, Nakagawa Shouko and Tokyo Jihen were some of my first purchases. I enjoyed burning CDs and shuffling them in my car. Simple stuff right, but I really hadn’t done anything like that before. Listening to music was never my thing, but I was having fun with this. In February of 2008 I decided to create my own blog related to Japanese music. While I haven’t been the most interesting, frequent or lengthy writer, I’ve enjoyed doing it.

I continued to build my music library, adding Abe Natsumi, Buono!, Canary Club, C-ute, Goto Maki, Matsuura Aya, Morning Musume, Ongaku Gatas, Shiina Ringo, THE Possible, and more. Tho it wasn’t until Berryz Koubou’s first single last year that I actually bought my first CD. Dschinghis Khan wowed me. Well, Chinami was a big part of that. The video was so fun, the song was catchy, and I just loved it. By this time I was already fascinated with this idol pop genre. Watching concerts, their little variety shows and the like, above and beyond the music, there was so much fun and cuteness to keep me entertained.

Random Chinami Stuff

Random Chinami Stuff

More purchases would follow, including my first bunch of photosets. It was kind of weird buying Berryz Koubou and C-ute’s photos. I mean, what was the point of collecting these photos, I wasn’t sure what I was going to do with them exactly. When I go them however, I was so happy to just have and look at them. I can’t explain it really. There were never any celebrities or the like that I had any sort of vested interest in before, but these girls grabbed my undivided attention. The photos made me feel connected in some sense. I used to not get the obsession and exuberant interest that other people saw in “celebrities,” but now, I had fallen into it.

Random Berryz Stuff

Random Berryz Stuff

Over the next year and some, my musical interest would continue to grow to other Japanese artists and to this day it is ever expanding. I’d buy a lot more songs and a lot more photos, some photobooks, posters, a bunch of stuff, the music, the culture had become a big part of my daily life. I’ve participated in forums and chat rooms, and have contributed to other blogs in an attempt to help spread the J-Music goodness to the masses. In addition, I’ve started learning Japanese in college and am looking to pursue the language and culture so much more. During my brief time in school thus far, I’ve actually had the opportunity to write a few successful essays and do a couple lengthy presentations on the subject of being a wota. It’s great being able to share not only with those who do know a bit about what it means to be a wota, but also with those who have no idea of the subculture.

This past summer I went to Japan for the first time. I hadn’t planned on doing anything as it pertains to music, but it turned out that there would be something going on at the same time I was there. Champloo was definitely the most fun experience I had ever had at the time.

Berryz Tattoo (Drawing by Chinami :P)

Berryz Tattoo (Drawing by Chinami :P)

When I got back from Japan, I decided to get a tattoo. Well, I had been thinking about it for a while, but with the recent experience, I decided to go through with it. So, I had “Berryz” tattooed on my chest along with a design that Chinami had drawn in the past. It was strategically placed, over my heart. Cheesy, maybe, but it’s a representation of the love I have for Japanese culture, Japanese music and more specifically, Berryz Koubou and how much it all has literally changed my life. It’s hard to express how much it all means to me, try as I might, but even then I feel that words really cannot convey how much I love this stuff.

More recently, towards the end of November, I went to Japan for a few days. For what? Well to see Berryz in concert of course. Or really, it’s because Chinami got a solo, and I wanted to be there to see it. Medachitai!! Another great concert experience. Honestly, the best experience of my life. Sitting front and center, to wave and smile and to have the girls wave and smile back at me, epic.

I Want To Stand Out

Now why am I sharing all of this exactly. Is it to show how much of a fan I am? Am I trying to stand out above the crowd? Am I trying to be different (just like everybody else)?

Well, not really. It’s just me sharing my experiences, sharing something that I love with everyone. As I started into the J-Music scene, I enjoyed reading about others experiences, their journeys into wotadom, their praise and criticisms of something they too felt passionate about. Maybe someone will get the same out of my writing. But even if that is not the case, I’m doing it because it’s fun, because I enjoy talking about it. Sure, there is a little bit of me that wants to stand out, but that’s not even remotely the core of why I do it I don’t think, or why it all interests me in the first place.

Really, It’s Okay

((I have to keep telling myself that it seems, lol)). So the thousands of dollars I’ve spent on all of this stuff over the past few years might seem a bit obsessive. I’d say that yes, it is an obsession to some extent. While my interest doesn’t lie exclusivity with the bubbly pop of 13-18 year old Japanese girls, I realize that some might find the interest in general as being a little weird; but I love being a wota. It’s a big part of who I am now, I love just being able to be myself. I’m glad to have found something to be passionate about, no matter how out of the ordinary it may be.

Now, with all that said, I’m aware that I didn’t exactly define what a “Wota” is. I think tho, that I’ll let the post speak for itself. I’ll let others make up their minds on what it means, to me anyway, based on the context of my experiences.

Hajimete no Berryz Concert

I don’t think I need to say that I love Berryz Koubou, that’s pretty obvious isn’t it? I also don’t think I need explain how much I love~ Tokunaga Chinami. Those two things however, do setup the rest of the post. On October 11, the setlist for Berryz Koubou’s latest concert was revealed; on that setlist, was “Ohiru no Kyuukei Jikan.” What’s the big deal? Well, what made this special, was that the song was to be sung alone, by Chinami. To the point, the day I heard that Chinami would be getting a solo at the concert, on October 11, I bought a plane ticket to Japan. I just had to be there.

So anyway, after a few delays in my flight, I made it to Japan on Thanksgiving Day. The concert wouldn’t be for a few days, so I filled my time doing a little bit of shopping, eating and visiting a couple places that I missed during my first trip to Tokyo. I could only stay for a few days, with work and school keeping me busy, but I tried to make the most out of my time.

One thing I wanted to try, was to go to a maid cafe. I ended up going to @home cafe in Akihabara. That sure was an interesting experience. They served me some juice and some interestingly designed cakes, we did a little chant, played some games and I got my picture taken with one of the maids. It was a unique experience, one that I was glad to try. The atmosphere, and the moe~ oozing throughout the place was a nice sight.

With the visit to the cafe, and to a few places someone I know recommended that I check out, I was able to keep myself pretty busy. Now, on to the concert…

First, I had wanted to get some really good seats, 1-3 row, center. Unfortunately I wasn’t able to get them. But that’s okay, because it turns out that rows 1 and 2 weren’t even available. They were taken out to setup camera equipment and such. I ended up getting 4th row tickets in the center for both the afternoon and evening concerts. With the missing seats, that put me right in front of the stage!

I’ll skip a full concert review, but I will just summarize it and say that I had an awesome time! Honestly, during the train ride over, the walk to the concert hall, and while waiting for the concert to start, I could not stop smiling. And afterwards, the smile lingered, I had so much fun. Chinami’s solo was awesome; the Dschinghis Khan beat-boxing was awesome; the girls in fish costumes while Momoko chased them around the stage with a net; the girls did an awesome job of standing out in their own unique ways; it was all awesome!

And too add to the awesome, being in the 4th row I was able to get the attention of the girls. I mean, I’m there jumping around, dancing and such, waving my bright orange glow sticks and strobe light, and they’re there looking straight at me. I don’t mean they were just looking in my general direction, or just turning my way and giving me a quick glance, I mean looking -at- me. A big, tall, black guy kinda stands out, right, lol. During the two concerts I was able to catch everyone’s eye at least once. Near the end of the second concert, I waved and smiled at Risako and she waved and smiled back. Right after that, Chinami gave me the smile treatment as well. Every time they looked my way, my smile would broaden and I’d wave frantically. I know that sounds all fangirlish and what not, but well, I’m a fangirl yeah, lol. Fangirl? Fanboy? Wota!!! God, I love this stuff.

For the second concert I sat with some big time wota. They were really into it. Before the concert we had talked a bit in mixed Japanese/English where I told them about how long I had been listening to Berryz, the first song of theirs I heard, my favorite member and that it was my first Berryz Concert. Anyway, they were really chummy and such throughout the concert.

Headed back home in about 12 hours. Another great trip to Japan, I’m looking forward to doing it again someday.

Champloo

I went to the Hello! Project summer concert in Nagoya yesterday, and let me say, I had a blast. My first H!P concerts, I saw both the 3:00 and the 6:30 shows and really enjoyed them. Before the first show, I just hung around outside, observing what people were selling and trading. Was going to get in line for some goods, but decided to wait until I got inside. And once inside, I bought a bit more than I probably should have, but hey, why not.

In wota fashion, I was wearing orange shorts and had an assortment of orange glow sticks to support my dear Chinami. Not much, but gotta represent.

In the concert hall itself, at 3:00 my seat was all the way in the back. I thought this was going to be a problem, but even from there the view was great. With that said, at the 6:30 show, my seat was much closer and so I enjoyed it all the more. You’d be pretty hard pressed to get me excited about almost anything, but sit me down in front of a group of young laughing, dancing, singing Japanese girls and well, on my own, I’ll go crazy. And as wrong as that may sound, it is what it is, lol.

An interestingly mixed selection of H!P songs started the concert before the girls hit the stage. With the lights being put through their paces, the mix got you pumped for what was to come.

The opening song was my favorite from Morning Musume’s Platinum 9 DISC, Guru Guru JUMP, performed by the whole gang. When all of H!P is saying JUMP, how can one resist; much jumping did ensue. And with that done, sans S/milage, next up was Berryz Koubou’s Piriri to Yukou!. An oldie, but a goodie, and fun to dance to.

S/mileage was first after the Intro/MC with aMa no Jaku followed by Omakase Guardian by Guardians 4. These ones were a little bit harder to dance to, but still fun.

Minimoni Jankenpyon! Fun song and fun to dance to. I’ve not listened to a lot of minimoni but with this revamp, I’m really liking it. Jankenpyon is one I’ve heard before, but not really payed much attention to. Props to LinLin, and their outfits were pretty cool too.

On the first performance of Mano’s Sekai Wa Summer Party, I think Erina, messed up a little bit, but was alright on the second go round. There are a few points in the instrumental to this song that sounded a bit off, or maybe too strong. Anyway, with S/mileage dancing in the background, this was another that I could get into.

C-ute’s Shochuu Omimai Moshiagemasu, I wasn’t too much a fan of the song, nor the PV… but the live performance was great.

Seishun Bus Guide has a pretty cool dance, and so I feel pretty cool dancing along to Berryz Kobo’s latest single.

Nanchatte Renai and Shouganai Yume Oibito by Morning Musume; good stuff. With MM on the stage, I think I watched Koharu the most, she’s just fun and… I don’t know. One thing I did catch myself doing whenever Reina was on the big screen was checking out her eyes, they’re so captivating, or maybe amusing is a better word, haha. I don’t know, I like how they’re offset and crosseyed or whatever. Ehh…, LOL. I’m going to have to redo my MM rankings.

Aa! and Pucchimoni V’s new songs were great. In Aa!’s case, I’m definitely liking the sound after being disappointed by the on the Champloo album. In Pucchimoni V, Erina, I don’t know… I think she messes up again.

Moving on to Reina’s solo, she did a excellent job. She was followed Tanpopo#. Yurina seemed like she kinda didn’t fit with the sound of this group, dunno. My Boy was awesome, as is to be expected of Buono!. And then we get some more jumping with C-ute’s JUMP preformed by all.

Ai’s solo… I like the song, but… yawn? I would have liked to see LinLin do her thing, but whatever. Maybe the placement after JUMP and a MC made it seem dull. Again, I like the song and she has a great voice, it just didn’t fit.

v-u-den… Risako, Sayumi and JunJun carry out mic stands as they come onto the stage. There’s just something about their stage presence in this song that is so, bad… in a good way. Risako in her opening solo is really owning the mic and is very into it. Then when the additional instrumental comes in, you cannot help but be pumped. Later on you have JunJun on the ground doing some wicked air guitar, rushing back to the other side of the stage and jamming some more. This was my favorite song on the Champloo album and seeing it live is so much better. The first performance of the song, I could really tell that the crowd loved it, they were really into it.

ZYX-α and High-King do their thing, and then High-King comes on with Cinderella\Complex. That was a bit unexpected, but very much welcome. The dance is one you can really get into.

In the MC here, I just want to point out that Koharu is really fun to watch. Even if I have no idea what she’s saying, she is really playful in a very amusing way.

Special Generation plays and the crowd is really into it. Another Berryz oldie but a goodie. At the end here, Maimi steps out between the Berryz, decked out in white, saying her opening lines from Tokaikko Junjou. The contrast looks cool and is a great transition.

Resonant Blue finishes up the group songs and this one was again, really fun to dance to.

Ending things is Sono Bamen de Bibiccha Ikenai jan!, Koko ni Iruzee and after a quick MC, Aozora ga Itsumademo Tsuzuku Youna Mirai de Are! Tho I wasn’t familiar with the last song, it was a good end to an awesome concert.

So yeah, I definitely enjoyed doing the whole wota thing. Chants, claps, jumping, dancing, singing, the whole nine yards. Will really have to look into making this happen more often.

Wota Wonderings 4

I thought this would be a hard one to answer, but I don’t know, it seems quite simple really.

Are You a Shallow Wota

Imagine your favorite idol switched bodies with someone you don’t find “visually pleasing”, would it affect your love for that idol in any way/shape/form?

Umm, yes. Wait, that’s the answer to the second question, not the first. I’d be surprised to find anyone who could honestly say no to that. Though I guess “visually pleasing” can be left pretty open to interpretation. My idol, with the same personality, the same voice, the same dance moves, the same mannerisms… yet stuffed into an unsightly box, would definitely lose some appeal.
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A J-Music Survey: Redux

It’s been almost a year since misa put up the questions asking the community about our J-Music tastes. Now, she’s asking again. While some of my responses have stayed the same, I figured they’ve changed enough to give it a go again.

1. What was the first Japanese song that you ever listened to?
Back in 2002, Momoiro Kataomoi by Mattsura Aya.

Momoiro Kataomoi

Momoiro Kataomoi

2. Did it inspire you to like that group/singer, or did it turn you away?
I wasn’t really into any type of music at the time. I was probably looking for cute Japanese stuff or something (-_-);, and happened to stumble upon the adorable and bubbly video.  While I wasn’t inspired, it didn’t turn me away either. Years after the initial find, I rediscovered H!P and was greatly surprised to find Aya had sung the song. I remembered the catchy tune immediatly and I’d say that Aya has been a favorite of mine for a while, partly because of that.

Gag 100kaibun Aishite Kudasai

Gag 100kaibun Aishite Kudasai

3. What is the one song that you have been listening to for the longest time?
Gag 100kaibun Aishite Kudasai gets credit for this one. I think I’ve mentioned this a quite a few times in various ways, but the opening melody grabbed me and I was hooked. Chinami killed me with her cuteness and the whole thing was an eye opening experience of sorts.

4. What group/singer have you liked the longest?
I guess there’s a bit of a tie between Tokyo Jihen, CHERRY LYDER, Berryz Koubou, Nakagawa Shouko, Angela Aki… but again, I’ll give this one to Berryz. They’ve been there since my intro into J-Pop.

Killer Tune

Killer Tune

5. What is the song with the most plays on your itunes/media player?
Killer Tune by Tokyo Jihen at 252 plays has a pretty good lead over CHERRY LYDER’s NAMUKIN Girl and Omae wa Ushi ka!? which sit at 234 each.

6. Is that song your favorite?
It’s definently in my top picks, but I wouldn’t call it my favorite.

Rottara Rottara

Rottara Rottara

7. If not, what is?
If I had to pick just one, I’d go with Rottara Rottara by Buono!. Buono! is awesome, the song is awesome, the awesome is awesome, awesome Buono! is awesome… sorry. There are a couple more that I’d say are favs (One’s LIFE by °C-ute, Kirin no Kubi Yori Nagaku Naru by CHERRY LYDER, Gunjou Biyori by Tokyo Jihen, Minna no Ki by Tomoiki Ki o Uetai) and then even more that I’d rate very highly.

8. Is there any one group that you can listen to all/most of the songs by? If so, who?

Kirin no Kubi Yori Nagaku Naru

Kirin no Kubi Yori Nagaku Naru

CHERRY LYDER has a discography of 11 unique tracks, and I enjoy them all. She’s fun pop rocky, and can slow it down too. Then there’s Buono!, and well, they’re awesome. There are some songs that I like more than others but overall their stuff is tops.

9. What is your favorite agency?
Still don’t know, or care(?) about agencies all that much. Still, I’ll go with Up-Front Works cause they contain both Berryz Koubou and Buono!.

10. What is your favorite group/singer?
Berryz Koubou of course. So much to love. The girls are fun and the music is great.

Hello!Project “Cuddle” List

What exactly is a “cuddle” list? Hmm, I’ll let you use your imagination… I shan’t elaborate other than to provide a link to this post.nofacebookimport

H!P "Cuddle" List

H!P "Cuddle" List

Hello!Project Poll – Top 10

Paul over at Hello!Blog has put up his latest incarnation of the Hello!Project Poll. This time around, you get to pick your top ten out of all of the current H!P girls. I remember doing the poll around this time last year and found the results to be pretty interesting; now with the inclusion of the soon departing Elder Club and some Eggs, this one will surely be even more so.

H!P Ranking 2009

H!P Poll 2009

My ten are packed with the Kids of course, with Berryz and °C-ute filling the top spots. I’ve got my thoughts on them detailed in my rankings posts if you’re interested.

Ne~e? Matsuura Aya has always been a favorite of mine. She was one of, if not the first H!P act that I had heard or seen. I’ve always enjoyed some of her earlier works, and while I believe that some of her more recent stuff isn’t as good, I love it all the same. Also, can’t forget GAM. The combo of Aya and Fujimoto Miki really worked.

Abe Natsumi, was introduced to me when she did the duet with Maimi early last year. Through a bit of searching I found Koi no Telephone Goal and a few others that I’ve enjoyed. Seeing her in some of the older Morning Musume songs and shows, she’s not only cute, but fun. With SALT5, DEF.DIVA and Nochiura Natsumi she’s also done some enjoyable work. She’s also one of the few in H!P who are around my age, haha.

Yoshizawa Hitomi was a hit during her English lessons. Really played up the tom boy role with the Musumes and has always been cool with Gatas and Hangry & Angry. Her personality has always stood out to me, and that earns her a spot in my tops.

What’s in a Photobook?

Well, not literally. I think the answer to that question is a fairly simple one. Jonas over at yonasu.com on the other hand, has raised an interesting question that I really hadn’t thought too much about:

What do you Think About when Looking at Photobooks?

It’s a question that on the surface brings forth a response of “because I like the pretty pictures.” But when you really think about it, perhaps you can glean a little bit of insight into yourself. What do these idols and entertainers really mean to you? What type of enjoyment do you get out of it? No matter how plain, bizarre or embarrassing.

As for me, happy people make me happy. Cute people make me happy. I guess the idol photo/photobook thing is a portal into that. The photos of happy, fun and cute bring out a little bit joy and excitement in me. Their smiles and playfulness just elicit a strong sense of glee. It does, as Jonas implied, require some sort of familiarity as well as realism; if not I can feel somewhat detached. But with the attachment, well, that’s all I need really.

And as I say that is all I need, they provide so much more. I’ve got a particular interest in idols from the Japanese music arena, whose music I also love. Then there are other avenues by way of doramas and even simple things like television game and variety shows. One gets the enjoyment of these photos that can otherwise be unrelated to the medium where the idol caught the eye in the first place. Or, the photos can be an introduction into the world of the idols’ other works. When viewing a photo, all of these thoughts, a conglomeration of the whole experience seems to be running through my head, albeit on a subconscious level.

I’m not much of a daydreamer, but I have thought once or twice about what it would be like to “be there.” I imagine it would be fun to partake in various activities, something we could do together that would continue to make the time with them exciting and cheerful. Like a father to a child, I like to think that I would be the kind of person to spoil them with love and support, and criticisms. And even with that, the photos are enough for me; I prefer to watch them have fun with little to no intervention. In the end, I don’t think much about anything when viewing photobooks, but an underlying thought is there. What a wonderful time they must be having, all captured in a single photograph, I hope their happiness continues from that moment and beyond.

Judy and Mary 15th Anniversary Tribute Album

15TH ANNIVERSARY TRIBUTE ALBUM

15TH ANNIVERSARY TRIBUTE ALBUM

Hot off the presses, the Judy and Mary 15th Anniversary Tribute Album, released March 18, 2009, was pretty awesome. Just as I had hoped. I really need to go back over the Judy and Mary discography, as so far I’ve fund some pretty cool stuff. I’ll keep this brief, but there are a few tracks that I wanted to give specific mention too.

The album starts off with Ikimono Gakari covering Classic. Ikimono Gakar’s sound is all over this one including their signature harmonica. One spot actually plays a bit like Kimagure ROMANTIC, intentionally I’m sure. Those little bits, plus an ever so slightly updated sound make this cover a really enjoyable one.

mihimaru GT takes a stab at Over Drive, and they do a great job. Thing’s start off simple and pick up a few more interesting sounds as things go on. True to form, mihimaru GT mixes in a little bit of their Hip-Hop thing. mihimaru GT is a group that I’ve heard about for quite a while, but have never looked much into their music. I’ll definitely be checking them out in more detail in the future.

The third track I’d like to mention is Lucky Pool, covered by HALCALI. I like HALCALI’s style and this song is another one where the group takes the original and adds just enough to make it their own. HALCALI of course, interjects a lil rap. It’s the same old song, but different enough that it’s fresh and new. Well, both versions are fairly new to me, but you get the point.

Ai Otsuka, HALCALI, Ikimono Gakari, Kimura Kaela, Midori, mihimaru GT, Nakagawa Shouko, Okuda Tamio, PUFFY, SCANDAL, school food punishment, SHIGI, SUNEOHAIR, Takeshi Hanzawa… whether or not you’re familiar with any one of the artists, I really recommend you check out this album. There’s not one track on here that I didn’t like to some extent.

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